Scarface: The World Is Yours for Xbox Reviews & Ratings by IGN

Games based on licensed properties, especially films, have had a long and bad rap, though for a while it was for good reason. Not too many years ago it was extremely rare that you find a licensed game even bordering on being decent, though over the past few years we've seen a surprising number of great and even excellent movie-based games. With Scarface: The World is Yours, Sierra and Radical Entertainment have not only furthered the "new" expectation of licensed titles but have created one of the best so far.



Much of Scarface is based on what we've seen in Grand Theft Auto. In fact, it's fairly obvious that Radical used said series as the blueprint and then went back and re-evaluated its shortcomings. The result is that we have a game that fixes many of GTA's problematic elements, like the targeting system or having to drive out of the way to stock up on weapons, while also retaining many of its standardized and fun aspects. As well, the developer has introduced a number of unique features, most of which work out quite well. The result is an experience that fans of the genre will feel right at home with while offering enough original ideas to keep it feeling fresh.



While Scarface is indeed a GTA-esque game in every respect, it does have a slight bit of a different feel than said series, and in large part that winds up being a good thing. Instead of working through a seemingly random storyline with characters that come out of nowhere, Scarface does a fantastic job of putting you into the shoes of Tony Montana and letting you have your way with the city of Miami. Almost everything you do seems connected with overtaking the city, resulting in what feels like a much more "cohesive" experience than you'll find in other open-world games. There's certainly a story here, but it's based around revenge and taking back what belongs to you, so it feels a tad more like a setting rather than an always-progressing narrative. Instead of helping a random mob boss simply because the story says so, everything you do is for your benefit and obviously so. Again, it's more basic than many other games we've seen in the genre, but it works very well, makes more sense and seems much more natural.



While being based around Tony's need for revenge and power certainly helps tie the gameplay to the license, there's a lot more to the game than this that helps it really feel like a Scarface title. Instead of retelling the story of the movie, Scarface picks up at the very end during the shootout in Tony's mansion. But rather than being shot in the back, Tony escapes alive but with nothing left to his name. This sets up the mood and setting for the game in a way that simply rehashing the events of the movie never could have. One major benefit here is that the game is able to quickly jump into the world without having to do a whole lot of somewhat needless exposition, though there's enough that so long as you know the basics of the movie then you'll be able to follow along without any problems.



The absolute best thing that ties the game to the movie however is how well the character of Tony Montana is represented. Though Al Pacino wasn't able to provide the extremely large amount of spoken dialog (although he did help choose the actor), the voice work for Tony Montana is absolutely superb. From his accent to inflections to the slight but noticeable way he accentuates curse words with ease mid-sentence, his voice work is dead-on. Tony's animations are basically perfect as well, capturing his wild shoulder jerks, free use of hand gestures and constant look of discomfort. The rest of the game's cast is also very good, featuring a list of celebrity talent that is way too long to even begin to list, but Tony is clearly the highlight here. Absolutely fantastic work on this front.





While Scarface does a fantastic job of bringing the world of the movie to gamers, it wouldn't be a great experience if the actual gameplay didn't match up. Luckily, Radical has delivered on most every aspect of this.



One of the wholly original elements of gameplay ties directly into the character of Tony Montana. One of the aspects of Tony's character that Sierra and Radical wanted to allow gamers to take advantage of is his seeming invulnerability during raging shootouts, and the Balls meter is the result. By performing a number of "ballsy" moves, like driving on the wrong side of the road or threatening a passerby, you'll fill the Balls meter. The quickest and most common way to do this is in battle. By targeting certain body parts (kidney, head, arms, groin, etc.) you'll earns Balls, and taunting someone after you kill them will earn you more. This latter element means that the game has a certain rhythm to combat where you'll kill someone, tap the taunt button and then move on to the next guy.



When you've filled the Balls meter, you're able to enter Rage mode whereupon you'll fight in a first-person perspective for a short while with unlimited ammo and invulnerability. Though you're playing in first-person, the game uses a loose lock-on system where you'll target anyone close to the center of the screen, helping non-FPS fans to take maximum advantage of this.



The catch to this mode and the part that has both a good and bad side is that you'll refill a bit of health for every person you kill while on a rampage. This means that you don't need to be reliant on finding health packs and it keeps combat flowing along at a quick pace. You're also rewarded for being the right bastard that Tony inherently is, which is great.



The downside is that missions are either much easier or much more difficult depending on how many Balls you have at the start. For example, one mission has you get dropped off at an ambush with no weapons. You need to kill a couple guys with machetes and then take out a slew of armed soldiers. The first time we tried this we had a full Balls meter and were easily able to recover from our unarmed beating at the beginning. Due to a mistake on our part at the end, we needed to retry the mission. Unfortunately, the game reset the Balls meter to nil and made the mission much more difficult than before. While picking up health packs isn't as natural to the gameplay as this, at least the designer would be able to perfectly plan a mission's layout. With the Balls meter, it's impossible for them to tell how full it'll be when you enter, which can be the difference between either walking through everyone or dying in seconds.



One of the ways that Radical has drastically improved upon most open world games is in terms of the aiming system. The controls work in a freelook manner, much like Max Payne or other third-person shooters, allowing you to freely aim and take out enemies. You'll actually earn more Balls for doing things this way, so you're rewarded for skill. If you want to use the lock-on system however, which most folks probably will, you simply need to aim near an enemy and press the appropriate button. This means that you don't need to tap the lock button and then hope it finds someone relevant. If you want to shoot at a specific soldier, simply aim in his general direction and then hit the button - it's simple and works very well. Once you've targeted an enemy, the aim controls then move your reticule inside the lock-on area, allowing you to target specific body parts for more Balls or a headshot or what have you. It's a great system that works almost flawlessly.





Where Scarface rises above most of its competition is in its elements beyond the core action. You're able to buy properties and turn them into fronts for selling drugs, take over warehouses and then go on dispersion missions to collect your loot, hire goons to protect your fronts and more. All of this is manageable via a nicely set up phone menu (which is far more advanced than what we remember from the '80s).



This whole system gives weight to buying properties. Rather than simply owning them to act as safe houses or to increase your ownership of the land (which they also do), you're directly rewarded for the areas that you take over. Each front also has drug demand and price stats for the area, so you'll want to make sure you drop off your stash at these areas first. If they're overrun with drugs however, you won't get as much. It's a pretty cool system that works great with the setting.



Another element that works somewhat well is the Heat system. You have separate Heat levels for both gangs and the police, and the "hotter" you are, the more likely you are to be found and/or shot at. You can pay them down instantly via your phone, but this takes away from your bottom line.



One issue that we have that relates to this is the police and how they're set up to chase you. When the police are on your tail, you have two meters to watch out for. One is their area of influence of such, which shows how far they're able to track you. When you attempt to escape from them, you need to leave this radius, both for the area and each cop chasing you, in order to actually escape. This works perfectly fine and makes sense.



The other meter is a while line that surrounds the map that shows how hot the cops are on your tail. When the white meter surrounds the map, it'll start filling up with a red bar. You need to escape the police before this fills up or you'll automatically be screwed. That is, the game is essentially over, but you're still allowed to run just for the fun of it. The problem with this is that it can happen mid-mission and commonly happens when you're taking out gangs on the street, especially if you're not careful to keep your cop Heat down. In other words, you can successfully fight off both a gang and the police and be perfectly in one piece, but if you take too long, you automatically fail. This is a rather annoying concept that we wish weren't present.



The last, and sadly a little disappointing, thing that we'll talk about is that game's world, or specifically its layout. While there are a number of cool places to visit taken directly from the movie, along with a number of other original locales to drive and fight around, the actual roadways aren't laid out very well. Being that this is an open world game, you might expect to just be able to go "that way towards the target" and eventually get there, but that often isn't the case, at least when you don't use a boat. Many streets and city sections are connected only via one road, meaning that you have to take a specific turn to move to the next area. This means that until you've memorized exactly how things go, you'll constantly have to refer to the map to see which street you need to take. This certainly doesn't kill the game's overall experience, but it's not as "freeing" as we'd hoped.

©2006-10-06, IGN Entertainment, Inc. All Rights Reserved