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IGN Review of Lost Planet 2
As the follow-up to the critically liked and commercially successful Lost Planet, Lost Planet 2 seems to have everything going for it. Aimed at western audiences, the team at Capcom headed up by Keiji Inafune and Jun Takeuchi promised a return of the well received multiplayer mode from the original game, as well as some much-hyped four player co-op for the entire main campaign. Unfortunately, few lessons seem to have been learned from the original Lost Planet's problems. Instead, Lost Planet 2 offers online play that feels dated in 2010 and adds a host of new issues to the series without fixing what was wrong last time, leading to a game that is in many regards worse than its predecessor.
We'll get the good out of the way first though. Lost Planet 2 is with few exceptions a beautiful game that always seems to have something new to show the player. From familiar ice fields to jungles and cities and deserts, the world of EDN III is often a sight to behold. There seems to be a bit less variety in the kinds of alien akrid enemies on display, but this is made up for by the variety of enemy factions you encounter - and play as. The music is also excellent, with sweeping, epic orchestration punctuating major moments of the game, though it would have been nice to hear it more often. The bulk of many levels lack any musical accompaniment at all, leading to an often quiet monster hunting experience.
Things largely unravel from there. The controls remains as clunky as they were last time around, and deviate from the standard third person layout in perplexing ways. Want to melee? That's the B button. Want to run? Well, that's also the B button. Want to activate that data post or Vital Suit? We've got a B button for that. The grappling hook (or anchor) can still only be used with feet planted firmly on the ground, and your character jumps like their pockets are full of rocks. Every animation is over-emphasized to the point of getting in the way of playing the game. Even worse, you'll often be forced to endure agonizing waits as you hammer the B or circle buttons at data posts, or impatiently sit in a Vital Suit while it goes through an activation sequence that repeats every time you enter it. Lost Planet 2 is fixated on elaborate activation sequences, and there's generally at least one section per chapter that forces you to wade through some kind of convoluted Rube Goldberg machine in order to complete your objective - that is, when the game is good enough to tell you how you're supposed to complete that objective in the first place.
The story is, remarkably, even less coherent than the previous game's focus on amnesiac Wayne and his quest for identity. Lost Planet 2 takes place ten years later, as the formerly frozen EDN III has begun to thaw, and even more pirate factions are fighting for territory. Meanwhile, military organization NEVEC has plans to exploit the massive Cat-G Akrid that have begun to appear for their valuable thermal energy, even if their goals destroy the planet in the process. The game's six episodes take place from several perspectives - including an extended and ill-advised jaunt through some semi-offensive ethnic stereotypes toward the end - though the focus sits mainly on a squad of NEVEC commandos that quickly realize, to quote the cliche, that they're in for more than they signed up for. As this squad and everyone else realize what NEVEC is up to, they... well, they pretty much all make their way in a prescribed direction without talking or communicating with each other, and only one group of pirates actually does anything meaningful. While each episode manages to show something different, the game feels disjointed and hard to follow, and eventually bogs down in anime and old-school video game cliches.
Another problematic area is the game's level design. Lost Planet 2 is split into 6 episodes of multiple chapters each, and each chapter has several missions. There are no checkpoints between missions, meaning you'll need to complete a full chapter to save your progress in Lost Planet 2, which can often take more than an hour to play through. This means that should you die near the end of a chapter trying to figure out what the game wants you to do, which it never really tells you, you'll have to play the whole thing over again. There's also no jump-in co-op, as new players will be forced to wait in a lobby until the other players in the game reach the next mission in a chapter before they can join the session. Campaign levels feel like multiplayer maps populated by enemy soldiers and akrid, and little attention to balance difficulty or fairness is apparent. Expect to die over and over at certain points as enemy akrid or vital suits camp your spawn points. The giant akrid bosses and mini-bosses return, as does their tendency to knock you down and never let you back up. There is some satisfaction to be found from conquering these enormous monsters, but it's always grim, the kind of satisfaction that comes from an end to frustration rather than a sense of accomplishment.
Competitive multiplayer is largely unchanged from the last game. While the thrill of jumping into a giant robot suit to pound your friends into mush remains, the controls and weapons lack the finesse and balance players expect from triple-a shooters in 2010. More often than not, you'll have the most success throwing an electrical grenade and killing the enemy it temporarily incapacitates. There are a number of different modes, and the Akrid Egg capture mode stands out as something fairly unique and interesting amidst an otherwise by the numbers multiplayer menu that seems to have taken all of the features popular in big shooters today but none of the logic behind them.
©2010-05-06, IGN Entertainment, Inc. All Rights Reserved
We'll get the good out of the way first though. Lost Planet 2 is with few exceptions a beautiful game that always seems to have something new to show the player. From familiar ice fields to jungles and cities and deserts, the world of EDN III is often a sight to behold. There seems to be a bit less variety in the kinds of alien akrid enemies on display, but this is made up for by the variety of enemy factions you encounter - and play as. The music is also excellent, with sweeping, epic orchestration punctuating major moments of the game, though it would have been nice to hear it more often. The bulk of many levels lack any musical accompaniment at all, leading to an often quiet monster hunting experience.
Things largely unravel from there. The controls remains as clunky as they were last time around, and deviate from the standard third person layout in perplexing ways. Want to melee? That's the B button. Want to run? Well, that's also the B button. Want to activate that data post or Vital Suit? We've got a B button for that. The grappling hook (or anchor) can still only be used with feet planted firmly on the ground, and your character jumps like their pockets are full of rocks. Every animation is over-emphasized to the point of getting in the way of playing the game. Even worse, you'll often be forced to endure agonizing waits as you hammer the B or circle buttons at data posts, or impatiently sit in a Vital Suit while it goes through an activation sequence that repeats every time you enter it. Lost Planet 2 is fixated on elaborate activation sequences, and there's generally at least one section per chapter that forces you to wade through some kind of convoluted Rube Goldberg machine in order to complete your objective - that is, when the game is good enough to tell you how you're supposed to complete that objective in the first place.
The story is, remarkably, even less coherent than the previous game's focus on amnesiac Wayne and his quest for identity. Lost Planet 2 takes place ten years later, as the formerly frozen EDN III has begun to thaw, and even more pirate factions are fighting for territory. Meanwhile, military organization NEVEC has plans to exploit the massive Cat-G Akrid that have begun to appear for their valuable thermal energy, even if their goals destroy the planet in the process. The game's six episodes take place from several perspectives - including an extended and ill-advised jaunt through some semi-offensive ethnic stereotypes toward the end - though the focus sits mainly on a squad of NEVEC commandos that quickly realize, to quote the cliche, that they're in for more than they signed up for. As this squad and everyone else realize what NEVEC is up to, they... well, they pretty much all make their way in a prescribed direction without talking or communicating with each other, and only one group of pirates actually does anything meaningful. While each episode manages to show something different, the game feels disjointed and hard to follow, and eventually bogs down in anime and old-school video game cliches.
Another problematic area is the game's level design. Lost Planet 2 is split into 6 episodes of multiple chapters each, and each chapter has several missions. There are no checkpoints between missions, meaning you'll need to complete a full chapter to save your progress in Lost Planet 2, which can often take more than an hour to play through. This means that should you die near the end of a chapter trying to figure out what the game wants you to do, which it never really tells you, you'll have to play the whole thing over again. There's also no jump-in co-op, as new players will be forced to wait in a lobby until the other players in the game reach the next mission in a chapter before they can join the session. Campaign levels feel like multiplayer maps populated by enemy soldiers and akrid, and little attention to balance difficulty or fairness is apparent. Expect to die over and over at certain points as enemy akrid or vital suits camp your spawn points. The giant akrid bosses and mini-bosses return, as does their tendency to knock you down and never let you back up. There is some satisfaction to be found from conquering these enormous monsters, but it's always grim, the kind of satisfaction that comes from an end to frustration rather than a sense of accomplishment.
Competitive multiplayer is largely unchanged from the last game. While the thrill of jumping into a giant robot suit to pound your friends into mush remains, the controls and weapons lack the finesse and balance players expect from triple-a shooters in 2010. More often than not, you'll have the most success throwing an electrical grenade and killing the enemy it temporarily incapacitates. There are a number of different modes, and the Akrid Egg capture mode stands out as something fairly unique and interesting amidst an otherwise by the numbers multiplayer menu that seems to have taken all of the features popular in big shooters today but none of the logic behind them.
©2010-05-06, IGN Entertainment, Inc. All Rights Reserved